It was very exciting getting to shoot Cary Joseph's new work. The range of color coming out of the anagama in Corning, NY is astonishing. There are times where I really wish I still made pots just so I could get a few into these woodfirings. I miss the lovely path of flame over the clay's surface. Cary manages to really push his clay to the limit, giving it more of a stony leathery texture. The ash and flashing LOVE this surface.
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